Sunday, December 2, 2012

Here it is...


Hey Guys,
 I hope you can all see this. This is the previous owner of Aura Presents. I no longer have access to this page so I cannot post something on the page it like I would like to since I no longer have admin access. If you have a moment, please take some time to read this and it will bring light to all that has happened with FSDMF and Aura Presents. I am not a writer so please bare with me on that part J

Okay, so I figured the best thing to do was to give this to you exactly how it happened and give you some info on myself. I am 28 years old. I started going to raves in 1997 when I was only 13 years old with my sisters who are older then me. They were what we would call real old school ravers J. I got into throwing smaller parties at the age of 16 all around Chicago and Milwaukee. Some in other states as well. I would also help some of the other bigger promoters out and I learned quickly how the industry works… now back then things were a lot different. Shitty venues, all cash, the rave act. Tons of drugs and so on… I continued to throw events until around 2001 when I decided school was better option and found a normal job while going to school. I then did some travelling and continued to be friendly and build my industry relationships up. In 2007 I got back into throwing events… mainly in Milwaukee, WI at clubs and The Rave.

I was under the wing of some major players at that time really learning the major concert industry… now much different then the raves back in the late 90’s. I did this for some time and then moved back to Chicago in 2009. I worked at some nightclubs and was now working full time as just a talent buyer and production manager for many big events and huge club shows with major artists.

I moved around a little in the industry and continued to build up my reputation with the agents, managers and artists while making sure everything always went smoothly and my events were perfect. In May 2012 I was hired full time to be the talent buyer for Aragon Ballroom. I thought right away that this was a perfect dream job. I mean who in my shoes would not want to be paid a good salary and work at one of the largest and most famous music venues in the US right? So I started off strong in May 2012 with the agents. Submitting almost 40 offers in the first week with all the best agencies. Focusing on how nice Aragon was and knowing we could afford to pay a little more since the room was bigger then our competitors and we wanted to build something long term.

The only catch was that Aragon needed a brand to identify with the kids and we wanted to make that happen. I mean I sure in the hell did since I knew in a market like Chicago… we could not just do 12 big shows a year and cherry pick the top 20 artists. The business does not work that way… you have to be able to buy all types of shows from the agents to make them happy, and do your part in helping build up the new guys. It is a joy to do as well… bringing in the guy who just dropped that massive hit and know body knows will only come back later and be a great investment. So with that said, I scouted the venues we could work with and we tossed around some ideas. We came up with V-Live Chicago (since it is very nice and can be 17+) as well as Board Room Chicago for our VIP 21+ plays.

Now, since I am 28 and not exactly rich… I could not do this on my own so it was kind of just a pipe dream at this point and I knew unless Aragon was on board to fork over the money for events all over Chicago… this was not going to happen and buying shows for Aragon was going to be hard to do. I had talked with one of the owners (aragon) sons many times in the past about throwing a music festival and I always blew it off (we will call this guy Bob for this letter). Since React was on top of their game and I really did not want to deal with the political bullshit that goes along with fighting for talent. I did on the other hand know that I could pull it off and being a perfectionist like I am… I knew I could pull it off better then 90% of the promoters. I had some major support behind me from guys I can’t exactly mention here. Needless to say, it was all a go with the right people behind me.

So I met with Bob a few times regarding the festival and other shows around Chicago and it all sounded great. I mean if you were to see this guy, his $150,000 car, watches, clothes and condo… you would think you are on easy street when it comes to the shows too. Money is everything unfortunately in this business. The more money or capital you have behind you the more you can pull off. Just like any other major business.

So… We are now in the first week of June 2012. I had met with Bob many times and a lawyer he knew. This lawyer is good… like holy shit good. We will get back to that in a minute, first we have to go over some other stuff. So now we are about two weeks after I submitted the 40 offers for shows at Aragon Ballroom and a few at V-Live Chicago. Since these were same owners and all offers were approved by Aragon in our first big meeting before submitting the initial offers. Now mind you, before I began and while I began at Aragon. I had a 99% clean record with the agents. I was not the biggest talent buyer in the Midwest by any means… but I was efficient, honest and on point with all my shit. Always paid on time, always treated artists and managers like gold, always had the best of the best equipment and production, riders were always on point, great hotels and dinners. Never replied late to one of the 300+ emails I was getting a day for years… always going above and beyond for my job.

Okay back on track… so I walk into a meeting hyped to tell the owners that we had just confirmed Rusko & ATB for Aragon Ballroom! This is huge right? I am shit, for a venue who has only done 2 or 3 dance events in the past 5 years and knowing they were dying to get into the dance game I thought this would have blown their minds getting someone like Rusko away from Congress… he did have a great track record with React after 5 or so sold out shows. I mean the agent went out of his way to make this happen and give the room a chance. He could have easily gave it to Congress and had a safe play and same goes with ATB, Tritonal show and their agents. Now here in lies the rub as my mother would say. These owners talked in Spanish for a few minutes so I could not understand them and just came out and said we no longer want to do dance shows here. My jaw kind of dropped, I got that weird feeling in my throat and my stomach began to feel funny. I was shocked! I mean they did not realize how much I had to do to get these shows confirmed for them… I mean shit, I had to literally promise and put my entire rep on the line to get the agents and managers to go a new route. So I kind of tried to convince them otherwise for about 15 minutes and it was not happening. So I kindly got up and returned to my desk in awe. I was then told about 20 minutes later that they wanted to the shows, they just did not want to put up the deposit money or get vested into them. I still had a job, but now I had nobody to pay for the shows I just spent 2 weeks convincing the agents to sell to me.

Now this is where the game changed and shit got real as some would say. I walked into Bobs office. Since he was so close to them and family… and said dude, what the fuck do we do now? How I am supposed to fix this shit? He simply said well this is fine, let’s just do it ourselves. We will make more money anyway and this is a great thing for us. Go ahead and start the brand that you wanted to and I will pay for it. Now remember back to the cars, clothes, condo, stories and history of being rich I kind of got into above. This was amazing! I still had my salary job and now I had my own company to start. I spent all day going over previous company names I liked and so on. I decided I would call it Aura Presents… I wrote up a quick plan, came up with a company mission’s statement and began a small business plan. I went back into Bob’s office the next day and we came up with a game plan. We would not only do the shows that Aragon had offered for… but we would not go headfirst and throw the festival we had talked about for years. I was worried at first, but knew that with the right amount of money and proper investors… we would make this the biggest and best dance festival in the northern region of the US. I was not even going to get into this unless it was bigger and better then everything else. The market is already flooded like no other and if you are not going to go above and beyond others.., then you are not going to make it. Not only because of the fans, but because the agents are not going to support it the way you need them to.

I then ran some numbers over the next few days, met with a business annalist and my accountant… and had a great plan. I knew right away that we wanted Toyota Park so we were quick to scoop that up and get it locked in as much as we could at that time. Since that was locked in, I began to hire a team and we were off on the journey. Now… as mentioned earlier in this letter. I met with Bob and his attorney and we sat down for almost 4 hours going over the budget sheets, profit and loss projections and everything else that goes into a major event like this. Everything was on point and we were ready to rock! Well, at least I thought we were. I left that meeting assured that money was not an issue. Getting the first $2,000,000 was going to take a month (early August) and the other smaller shows would be funded right away. We sat down the next day and went over ownership. I was to own 40% of Aura Presents, Bob was to own 23%, Bob 2 was to own 23% (another Aragon employee, very experienced with national touring and concerts including things like MSG and more), and the lawyer was going to own 12% for all of our legal costs. This way we did not have to pay his retainer or fees. He would profit when we profited.

I went home that day more excited to work then I ever have in my life. I was fucking hyped and knew or at least I thought I knew this was going to be something big! I mean shit, I even called my parents and told them. As well as my old bosses and mentors… I was ready and so was my team. I spent all night going over festival names and ideas. I woke up with Future Sound Dance Music Festival chosen and now the games were about to begin. Now at this point we had confirmed Rusko, ATB, Tritonal, Feed Me, Inna Live, Angerfist, Headhunterz, Foreign Beggars, Tommy Lee & Aero and The Killabits for shows outside of the festival realm. I had Bob’s credit cards and we were hitting shit hard. I probably spent $20,000 in the 2nd and 3rd week of June on just logos and artwork alone. We were using the best of the best for everything we did. Just as I had planned… We had hooked up with Mark Ward out of London for production on the festival (same guys who designed Deadmau5’s tour set up, as well as things like U2. These guys are some of the best) At this point money was flowing and life was good. I had no reason to suspect what was to come in the future. So I put together the incredible festival introductory letter, copied every agent in the business and hit send.

The next day my inbox was full of emails from the agents I called friends at this time wondering who was behind this and what was going on. I explained in great detail where the money was coming from and the team I had behind it. They were just as excited as I was to see and hear more and possibly move forward. It was now early to middle of July I believe. We had already announced the festival and began spending money on advertisement to build the fan page. The hype was good and I was even more excited now then ever. The hype and support from you guys was amazing and we knew we had something special. Not only on the festival page but the Aura page.

We began submitting hundreds of offers for the festival. I mean hundreds and hundreds. We knew we needed 70 headliners and we were going to get them. I mean I did have $2,000,000 coming from Bob in a few weeks from this point. I needed to get contracts and get ahead of the competition if I wanted to make this what we wanted. I was flying out to LA and NYC for meetings with the agents and all was well. Remember, at this time this was all being paid for by Bob. I had no suspicions. I mean who in their right mind is going to spend almost $30,000 on marketing and travel for nothing.

I think it was the end of July and we released some contest tickets and very early birds. I needed to see if people were interested and they were, we sold about 250 tickets to a festival with no line up released. I was so happy and knew we were going to have something big here. I stayed on the agents hard, offering some stronger offers then our competitors if they confirmed this far out. Well… with all the work that had been done it was starting to pay off. We had confirmed a massive fucking line up for a first year festival but I could not release much cause of radius clauses. So when I was posting that FSDMF was going to be huge. It was massive and anyone who had bought a ticket was in for a steal of a life time.
It was two days before Lolla and I was getting ready to go on another business trip for the festival when I sat down and went over exactly who was confirmed and below is the list.

Aura Presents Events (outside festival confirmed)
Rusko
ATB
Tritonal
Feed Me
Super8 & Tab
Angerfist
Headhunterz
Inna Live
Foreign Beggars
Tommy Lee & Aero
The Killabits
Tittsworth

Future Sound Dance Music Festival (confirmed) – July 29th
Tiesto
David Guetta
Wiz Khalifa (no contract, but we were right there at this time and had it)
Benny Benassi
Dash Berlin
Zeds Dead
Knife Party (no contract, but we were right there at this time and had it)
Gareth Emery
Diplo
Duck Sauce
Fedde Le Grand
Rusko
Paul Oakenfold
Datsik
Magnetic Man
Morgan Page
Skream & Benga
Caspa
RJD2
DJ Blend
Lucky Date
Audrey Napoleon
Filo & Peri
Le Castle Vania
Betatraxx
Starkillers
Inpetto
Stafford Brothers
Sluggo
The Killabits
Tittsworth

Plus many many more that we were on very close to confirming at this point…. So things were looking good to say the least since we were 8 months out and had one of the best line ups we had seen in this region.

The next day I was on my way to do some golfing with a friend and take a much needed day off when my cell phone rang as we were pulling into the parking lot. I was surprised to see the caller ID said Pasqual Rotella Insomniac. I told my buddy to turn the music off and shut up in those exact words. I answered the phone and Pasqual said whats up and asked if I had a moment to chat. He mentioned that we might have a small issue. I immediately knew what this was regarding and let him talk. He mentioned that he was talking to Tiesto’s agent and was told about my festival. He wanted to know how big I had planned to go and told me he had a small problem. He said I have a venue confirmed for EDC Chicago that same weekend. I was in shock and got that same failure feeling in my throat and stomach. I was not mad and figured there was a way to work this out. I mean I had contracts for a large amount of headliners and was close to locking in about another 30 very soon, so needless to say I was not too worried. Pasquale is a pretty stand up guy and he is a great businessman. He was honest and was not going to beat around the bush and told me he would rather not go head to head in a market I live in. He asked if he could fly me out to LA for a couple days so we could meet and find a solution. I told him I was headed to El Paso that weekend to check out my friend show festival (Disco Donnie) and I would be in LA anyway on Monday so we could meet then. I was already planning on being in LA for that entire week for some meetings so this was good timing. We talked a few more minutes, said our goodbyes and I went on with my day golfing.

That Saturday morning I flew to El Paso for SCMF in El Paso to hang out with Donnie and check out some production he had coming in. I had a great time at the festival both days and drank a little too much with Donnie the first night. We met the next day and he advised me on a few things and that night I flew to LA and met up with my VP operations in LA. He met me at LAX a little after my plain arrived since he was flying from Chicago and we were off to the hotel to check in. I spoke with Pasquale a bunch via text during this time and we had set a meeting.

I went to the Insomniac office on Tuesday of that week to see if we could find a solution to this problem we were both in. I stepped into his office and it was me and my VP operations and Pasquale plus his attorney and CGO/CFO. These guys are smart and they knew what they wanted, they also made it rather clear that they were not worried about going head to head with Future Sound but that they rather not do that. So we talked for about 2 hours, went over my numbers, the line up and tried to come up with a game plan. We had also talked about Chicago in general and all the other shows and venues we worked with and were working on. I noticed that they were intrigued by this and wanted to hear more.

We spent the next few days meeting and going over everything. We had come to a conclusion that having both festivals was just not healthy obviously. They had some side bar meetings and proposed that maybe buying Aura (hiring our team really) and joining the festivals would be the best idea. We just had to make it work logistically. That was the hard part… so we left LA that Friday excited to most likely be the new Insomniac Midwest full-scale office. We were going to bring the real Insomniac experience to the Midwest for the first time. At least we thought we were going to since it sounded really good at the time.

I then flew to NYC for a few days and some more meetings and finally came home middle of September. Now this is where shit gets interesting… I had noticed that some deposits were past due on the festival and others for the outside of the festival. I really did not think too much of it since I knew the festival money was delayed for some other reasons. I mean this is not abnormal considering we are talking millions of dollars. Sometimes it takes a little more time then planned. So I continued to talk with Insomniac and we put all offers and such on hold until we had an exact answer from the Insomniac on what was the next move exactly. A few weeks went by and in those few weeks is when I realized that shit was not as it had seemed… It all began to come clear when I noticed some of Bob’s credit cards were not working anymore. Even this was not too abnormal, I mean I was using 10 of them for a lot of money on advertisements and maybe he had not paid them yet since it was all happening quickly. Insomniac had reached out and said they needed some information on our investors, I asked the attorney and Bob and got the answered they needed. A few days later Insomniac pretty much came back and said that they wanted to find a way to partner on EDC Chicago but we needed to put our investors money up to make it work. Well I went to Bob and the attorney with this and was told no. I mean I could understand, they did not want to build up someone else’s brand but it seemed it a bit weird to not want to own part of such a great name. I did not really care much either way; as long as we were still on board I had no concerns. I knew with a good line up and good ticket prices we would be just fine in the long run. So basically the Insomniac deal began to fade away and I knew they would probably be doing EDC Chicago in 2013 but was not sure if they would 100% go up against us or move the date to make it easier on everyone. They were never assholes and they were never cocky or pushy. It was just something that did not seem to fit at the time and all was going to be fine.

 Then I started to notice that things were not adding up around September 22nd, 23rd. No ads were running, some deposits were way past due… not just the festival, but even the smaller shows. The festival I was still not too concerned about, since it was so far out and nobody likes to pay deposits that far out. I was worried at this time but not freaking out by any means. On the other hand, I was freaking out about the other shows since all of a sudden there was no money from Bob. No money means no marketing, no marketing means no people, no people means no profit and shit rolls down hill as we all know. So along came Feed Me on September 27th I believe. I was looking at ticket sales and freaking the fuck out. I mean how does Feed Me only sell 150 tickets in Chicago?! Well… because of no marketing. I was also at the same time concerned with Rusko and some other shows. We had to cancel another show due to low-ticket sales and a late deposit. (not unpaid but late). Bob had paid around 40% of the Rusko show deposit but the agent wanted the 50% he was promised and rightfully so. Now over the next few days and leading into the first week of October I was getting really worried and was not too sure on what to do. Here I stuck my neck out for Bob and this attorney who told me pretty much that money was not an issue and I was slowly being ass fucked by these guys to put it bluntly. I was now getting angry emails from the same agents who I used to joke around with on a daily basis and never had a bad strike with. I now knew that I had fucked up more then words can describe. I mean shit, I put almost 15 years of my life into this music and career wise I was 6-7 years vested. This is not the type of business where you fuck up, get fired and move onto the next company. This is a relationship business and it is all who you know and how strong your word is.

The first weekend of October may have been the worst weekend of my life. An agent who I looked up to a lot and who went out of his way to support on the festival sent me the worst email of my life. He may have not wanted to do it, but he could not hold out any longer. That email consisted of cancelations of Tiesto, David Guetta, Fedde Le Grand, Benny Benassi and Zeds Dead. I mean talk about a huge slap in the fucking face. I called Bob and Attorney right away and Bob pretty much said don’t worry about it. We will get it paid and all will be fine, how the fuck in your right mind can someone sit there and tell me everything is going to be okay? No Bob, everything is not okay… everything is fucked!!! So the attorney talked to this agent and the agent pretty much said if they come up with the deposit/binder money quickly then he will probably re confirm these artists. I sat in my office and pretty much knew that I was 95% fucked. I still had 5% hope left in me considering Bob did spend almost $50,000 on preliminary marketing and who the hell is going to dump $50,000 down the drain unless they planned on coming through. I don’t care how right you are, nobody throws away $50,000. At least I thought that was the case.

Now I guess I don’t really need to go on much further guys but what happened next was like a stack of dominos falling fast… but instead it was the career I put so much of my life into. I love dance music and I loved producing events. It is something that I really had a lot of passion for.

The middle of October consisted of a couple weeks of hell. Emails were coming in about deposits like you could not believe. I was getting bitched at from every angle and I could barely keep up… yet that whole time Bob and the attorney seemed like everything would be fine and I was crazy for being pissed off. Although at this time I began to find out the truth that the money was never really 100% secured and they were only close to getting it. Now they are not complete liars by any means. These guys do some major events all over the world and they do know many big players with a lot of money. I just wish that day when Aragon said they did not want to do the events anymore or pay for them should I say that Bob would not have said he would and I should. That would have saved a lot of trouble for everyone, not to mention my career. At that time I was on fire for the most part. I probably could have gone to Vegas and had a job at top club with no issues. Disco Donnie or maybe even Insomniac could have hired me. Who knows what could have happened and now I will never know.

October 23rd shit really started to hit the fan, there was no money to pay Rusko his final payment and the night of show and I was in shock by all this shit. I could not believe that I put myself in this situation. I mean what the fuck was I thinking… but I had nobody to blame but myself. I put myself in this situation and it could have been prevented many times over again. Since Rusko was not marketed that well due to no money and the fact that it was Halloween weekend and there was 30 other dance shows in Chicago… it was going from bad to worse quickly. They wanted to dump all the production I had lined up and things did not look good. I was not going to let that happen though. I wanted to give the fans what they paid for so the production stayed. Luckily a day prior to Rusko show Aragon decided they would put up some money to pay the final amount since they did not want a riot at their venue if the artist did not go on stage.

Now a week or so prior to that I was in a meeting in Bobs office with everyone who owned Aura besides the attorney and we trying to figure out how we were going to market all these events we had coming up outside of the festival so they would not flop. I was told to use V-Live’s credit card and we could pay them back when we settled the shows we had at their venues (aragon and v-live). So I went ahead and ran the ads for our upcoming shows to their budgets like planned. The night of the Rusko show is when shit really hit the fan. One of the main owners came up to me and asked if I had used their credit card to run facebook ads. I told him yes but I could not tell him that Bob and other Aragon employee told me to since the owners were not supposed to know they were involved in Aura at all due to conflict of interest. So the owner pretty much assumed I stole from them, when that is the last thing I was doing. I advised against it when it was suggested but went ahead anyway assuming it was okay considering it was of the owner’s sons and another top employee telling me to do so. Shitty part is, when I asked Bob to tell the owners he told me to do it… he simply said he had no idea I was running those ads. This was the straw that broke the camels back. I had officially realized I had been fucking scammed by some guys who really did not give two shits about me.

Now after the Rusko shit was just over with in my eyes. I was no longer being paid any salary. Aura was losing money and I was not being paid…. So I pretty much figured my career was over and there was not much I could really do. I decided I needed to take a week to step back and really think about what had just happened over the past 4 months. Well that only led to even more shit hitting the fan. The attorney and Bob decided to go to the same agents they fucked over through me and decided to tell them I went AWOL and I was on drugs! Not to mention that I stole some crazy amount of money. I will be out front and honest about this shit. I do not do drugs for one. I don’t even really drink, let alone do drugs. I have not even smoked pot in over 2.5 years and am about as clean as 28 year old can get besides cigarettes and coffee/redbull. I also did not steal money from Aura. I made a total of $7,200 from the middle of July until October 20th or so. I was told I was to make $80,000/year for running the company at first. Times were tough and we were growing so then I went down to $1,000/week without issue. I ended up making $7,200 over 3.5 months. That is not stealing… that is just getting by.

I did screw up once or twice and paid for a hotel when I should not have… but shit I am human too and when a company has owners telling them they are getting millions of dollars I was not too concerned about it.

So at the end of this all I can say is I am sorry I let everyone of you down. I can’t really describe how shitty I feel about all of this. You guys trusted Aura or me with your money and I let you down. I fucked up my entire life/career while doing so. If I can give you any advice after this it would be to never trust anyone in business as you never really know what they are capable of. I am also left with a lot of lawsuits for agents and more and it forced me into bankruptcy and the only way out. I think those same guys went and started a company called Aura LLC instead of my company Aura Presents Inc. that is filing for bankruptcy. They may think that the agents will work with them but hopefully they will not. They don’t know dance music and what we love. They only know what they like and that is not dance music… They took my email program over so I cannot access Aura’s emails, they took over the aura page and the festival page so I am no longer an admin… I did hear they are trying to still pull off the festival but I don’t see how and I SUGGEST you get a refund since it will be shit now I am sure. Once again, I don’t know what else to say but I am so sorry and hope somehow you can forgive me. I got what I deserved and hope you all continue to support dance music. It is the greatest music on earth in my opinion and it has the best fans the world.

P.S. I am sure there is some parts I missed and I am sorry, I was trying to keep it somewhat short while including the most important stuff. See below if curious about anything. Thanks again guys and please don’t think I wrote this as a pity party or want you to feel bad for me. I just wanted to let you know exactly what happened in the best way I could. Not sure how else to explain and did not want to give you some bullshit lie of a statement.

Best,
CEO
Aura Presents Inc.

If you need to get in contact with me, you can email me at thefallofaura@gmail.com - I can help answer any questions and concerns to get this resolved.